1883 Magazine
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22/04/2014
The Blackest of Blooms, by Henry Gorse and fashion Alice Whiting
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21/04/2014
We talk with Jack Steadman, lead singer of Bombay Bicycle Club during their UK tour about new LP So Long See You Tomorrow, Bollywood sampling and hiding out in Edgware Road and empty cinemas.
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21/04/2014
When we first heard High Hazels sound we were hooked with dreams of yesteryear,. A young quartet from Handsworth in Sheffield supporting The Crookes on tour to promote their debut EP ‘In The Half Light’. We asked them to enlighten us with a tour diary to get to know the new kids on the block. Here’s the first instalment….
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21/04/2014
A must see exhibition: the Opera Gallery London brings together works by virtuoso sculptor Mauro Corda and dark expressionist painter Gerard Alary; on display until April 22nd
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16/04/2014
’Lights aren’t Everything’ which has everything to do with this weeks playlist featuring Aiden, Lykke Li, Say Lou Lou, Hartebeest, Sam Smith, Wilson, HighasaKite, Nick Mulvey, Tala and Spring Offensive vs Drake.
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16/04/2014
Entwined, our latest beauty editorial by Lottie Anderson and Nikita Wright.
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14/04/2014
We meet renowned Chicago based artist Hebru Brantley before his ’Everyone’s Everything’ solo show at London’s Mead Carney Gallery and talk Saturday morning cartoon, Jay-Z and 1980s inspired artwork.
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13/04/2014
What started out as an internet sensation in 2009, Svengali tells the tale of the hardships of the music industry and a whole lotta love for mods. Having now made it to the big screen we grabbed the chance to meet Svengali’s creator Jonny Owen and co-star Vicky McClure to hear more about what makes the show tick.
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12/04/2014
Armed with only a small audio interface and a guitar, Rhodes has managed to propel his music from his bedroom to national radio favourite. We met 24-year-old before his London show at the Sebright Arms.
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11/04/2014
Azealia Banks opened the flood gates for a wealth of talented new female artists, from Angel Haze to Iggy Azalea. Heres our list who have taken on the opprobriously misogynist world of hip–hop and have made it their own.
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